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Public Enemy were the first political hip hop group to gain commercial success. Grandmaster Flash and the Furious Five released the first sociopolitical rap song in 1982, named “The Message”, which inspired many rappers to address social and political topics.
In hip hop music, political hip hop, or political rap, is a form developed in the 1980s, inspired by 1970s political preachers such as The Last Poets and Gil Scott-Heron. Public Enemy were the first political hip hop group to gain commercial success. Grandmaster Flash and the Furious Five released ...
Hip-hop has always been politically charged, but with racial and social divisions becoming ever more fractured, conscious hip-hop is making a return. ... Conscious rap is unique within the history of hip-hop because it’s less affiliated with a city or scene than a philosophy, a set of ideals, ...
Hip-hop has always been politically charged, but with racial and social divisions becoming ever more fractured, conscious hip-hop is making a return. ... Conscious rap is unique within the history of hip-hop because it’s less affiliated with a city or scene than a philosophy, a set of ideals, and a way of viewing rap importance.The subgenre of hip-hop was inspired by a number of powerful figures and events of the 1960s and 1970s, like the Selma march, a general sense of Black pride and Black power, social change, and artists keyed in on political awareness like The Last Poets and Gil Scott-Heron. Conscious hip-hop as a music genre can be traced back to Public Enemy, the group that galvanized African-Americans across the country with their political rap and focus on oppression, social issues, poverty, and community pride.While they were doing their thing in New York City in the 1980s, across the country in Compton, N.W.A. were blending gangsta rap ideals with a profound conviction in their mission of showing how all rap songs could be conscious hip-hop songs when focused on Black unity. Hip-hop artists across the country began galvanizing around political music that blended political hip-hop with funk, ideas of socialism, and the dawn of a new era.For the hook he chants, “I’m just a boy from the hood/Got my hands up in the air in despair/Don’t shoot I just wanna do good.” Artists of Jay’s stature aren’t expected to engage, in social commentary, but “Spiritual,” and his freestyle dedicated to Mike Brown of Ferguson, marked the beginnings of a string of socially conscious songs by the rapper and mogul.
Those with attuned ears who do listen to it know that many rap songs speak of the artists’ experiences with different systems of oppression. For example, later in life I realized that hip-hop artist Lupe Fiasco’s song “Hip-Hop Saved My Life” was one of the first times my interest in social ...
Those with attuned ears who do listen to it know that many rap songs speak of the artists’ experiences with different systems of oppression. For example, later in life I realized that hip-hop artist Lupe Fiasco’s song “Hip-Hop Saved My Life” was one of the first times my interest in social justice issues was piqued.Imagine if we help a young man understand how a rap artist’s misogyny is systemically harmful to women or help that young student engage with systemic inequalities in terms that are readily accessible to that student. Social justice is strengthened by listening to the experiences of marginalized people and amplifying their voices, and hip-hop has served this purpose for decades.Looking for a new way to engage your students? Try one they probably already know and love.Of course, some rap lyrics are vile, misogynistic, violent and crude, but so is a lot of the canonized literature we already teach in high schools. And just like we instruct our students to not necessarily agree with the texts we teach, we too can include hip-hop in our curricula to encourage students to think about it critically.
Le rap est passé de mouvement contestataire à commercial.
Le rap est passé de mouvement contestataire à commercial. À Nîmes comme ailleurs, le hip-hop possède un lien avec la rue qui lui confère un rôle éminemment social. "Quand on a créé Da Storm, on faisait des ateliers dans des centres sociaux, se rappelle Ghislain Nouguier.Il y a quinze ans, le but était alors de combattre les clichés liés à un mouvement culturel marginalisé. Maintenant que le rap fait plus que jamais partie de la culture populaire, la victoire a un goût aigre-doux. "Son poids commercial rend le rap incontournable.Ce hip-hop d’engagement, de terrain, s’estompe fatalement à mesure que la culture populaire s’en empare. La faute aussi à un rap qui joue parfois contre lui-même ; les icônes actuelles, comme Booba, Kaaris ou PNL, prônant la réussite personnelle à tous crins et le culte de l’argent plutôt que la solidarité à l’égard des oubliés.Depuis le début de l’année, le projet “Le rap c’est pas pour les meufs”, monté par Da Storm et les Culottées du genre humain, intervient "dans les collèges et lycées en se servant du rap comme outil pour vulgariser le propos sur la parité, explique Maevol.
From Tupac, Public Enemy, Lil Baby, Joey Badass, Queen Latifah and more, artists have always been extremely unapologetic when speaking about issues such as police brutality, political issues, gender equality and more.
For decades, rappers have used their rhymes to take on a mission our ancestors fought for years (and still haven’t achieved): social justice.Let’s look into some of the ways artists have used their passion for music to impact the world and demand change. Check out our list of 15 rap lyrics that call for social justice.From Tupac, Public Enemy, Lil Baby, Joey Badass, Queen Latifah and more, artists have always been extremely unapologetic when speaking about issues such as police brutality, political issues, gender equality and more.Uncle Sam is the personified version of the United States government and Ice Cube isn’t a fan. While Sam is supposed to represent liberty, the former N.W.A. rapper wanted no association with the man dressed like an American flag.
Arianna Puello: Dominicana radicada en España. Pionera del rap femenino ibérico desde los 90. Activismo y lírica consciente. Ximbo: Figura clave en México desde 1996. Fundadora de Mujeres Trabajando, promotora y docente del hip hop social.
Este encuentro entre generaciones de MCs no es una simple apertura. Es un set de 50 minutos que mezcla rap clásico, freestyle y mensajes con peso social.Descubre el talento de las raperas Zócalo en un evento histórico que celebra la expresión femenina en la Ciudad de México.El 6 de septiembre de 2025, el Zócalo de la Ciudad de México se convierte en un espacio de expresión femenina con raperas.Antes del esperado show de Residente, seis raperas tomarán el escenario principal entre las 6:30PM y 7:20PM, en un concierto gratuito con impacto histórico.
Why older rappers diss young rappers just because they came up a different way or have a different sound baffles me. The people being dissed are using the dissing as inspiration. People like Joe Budden, who is one of the most notorious social media old heads is always saying something about ...
Why older rappers diss young rappers just because they came up a different way or have a different sound baffles me. The people being dissed are using the dissing as inspiration. People like Joe Budden, who is one of the most notorious social media old heads is always saying something about how the new school is lame.He is disrespecting rappers who at one point looked up to him. I just think it makes no sense as to why they can’t just expand on what they listen to. They were the originators so really, I guess they should be dissing themselves! Social media has allowed the public to support artists easier than ever before.The result is that an artist like DJ Khaled, has the ability to fully utilize and harness the power of social media to build an entire empire in under 140 characters. I remember the first time I ever heard a DJ Khaled track, I was at my friend’s house back in fifth grade. I think, it was called “IM so Hood remix” and DJ Khaled was actually one of the first guys I started to listen to. This was my initiation into rap.This greasy looking guy is one of the top producers in the game and has multiple platinum plaques for songs he has produced. He is also from the town of Fort Erie, Ontario. There is no way he would achieved the success he has found, without any of these social media apps. He connected with a rap group by the name of Migos when they were completely unknown.
Hip-hop has been an integral part of social and racial justice movements.It’s also been scrutinized by law enforcement and political groups because of their belief that hip-hop and its artists’ encourage violent criminality. Free speech advocates see the ongoing persecution of rappers as a ...
Hip-hop has been an integral part of social and racial justice movements.It’s also been scrutinized by law enforcement and political groups because of their belief that hip-hop and its artists’ encourage violent criminality. Free speech advocates see the ongoing persecution of rappers as a proxy war primarily waged against Black and Latino people who are the early pioneers of the culture.FILE - In this April 28, 1998 file photo, Chuck D from the rap group Public Enemy, speaks to Columbia University students in New York. In the early days of hip-hop, plugging turntables into a light post and converting an outdoor basketball court into a discotheque may have seemed like a simple invitation to party. A closer look scene revealed the truth: Hip-hop was a response to social and economic injustice in disregarded neighborhoods, a showcase of joy, ingenuity and innovation despite a lack of wealth and resources.The question from Suboi, the female rapper known as Vietnam’s “Queen of Hip-Hop” said she struggled against the Vietnamese stereotype that rap music isn’t a proper expression for Asian women. (AP Photo/Na Son Nguyen, file) Read More ... The Rev. Al Sharpton sheds tears after remembering singer James Brown during a press conference at the National Action Network, Sharpton’s Harlem headquarters, Dec. 25, 2006, in New York. Hip-hop has been an integral part of social and racial justice movements.It’s also been scrutinized by law enforcement and political groups because of their belief that hip-hop and its artists’ encourage violent criminality.Hip-hop has been an integral part of social and racial justice movements. It’s also been scrutinized by law enforcement and political groups because of their belief that hip-hop and its artists encourage violent criminality.
Como tantos adolescentes de los ... gangsta rap. Dr. Dre, Snoop Dogg, Tupac Shakur, Notorious B.I.G. fueron la banda sonora de sus inicios. Pero con el tiempo aprendió a escuchar otras resonancias. La lectura lo llevó a descubrir a Common, cuyas letras cargadas de reflexión social lo impactaron ...
Como tantos adolescentes de los noventa, se dejó arrastrar por la fascinación del gangsta rap. Dr. Dre, Snoop Dogg, Tupac Shakur, Notorious B.I.G. fueron la banda sonora de sus inicios. Pero con el tiempo aprendió a escuchar otras resonancias. La lectura lo llevó a descubrir a Common, cuyas letras cargadas de reflexión social lo impactaron profundamente.En esa medida invisible, el rap de Skool 77 sigue multiplicándose como un murmullo necesario, como una chispa que se niega a apagarse. Al bajar del escenario y quitarse la máscara, no queda un vacío: queda la esencia de alguien que entendió que la música puede ser más que un eco. Su voz se desdobla como en un cómic de universos paralelos: en uno es MC que sostiene el micrófono como espada, en otro es luchador social que pelea sin ring contra la indiferencia, en otro más es héroe improbable, armado solo de rimas y letras.Máscara, cómics y rimas, Skool 77 ha construido un multiverso propio: rapero, luchador social y voz contra la indiferencia. Su historia es la de un MC que nunca cedió al mercado y convirtió el hip hop en un acto culturalEl camino no comenzó con la solemnidad de un manifiesto social, más bien, con un golpe inesperado de la cultura popular. Una canción de Mellow Man Ace, “Mentirosa”, un spanglish descarnado y poco consciente, se convirtió en el portal hacia un mundo nuevo.
Rap communities are diversifying across platforms, from Eminem stans on Facebook to Lil Nas X fans on TikTok. Discover their social media trends.
In late April, a Twitter user named @gothamcityrap posted a TikTok video where he danced to Benny the Butcher’s verse on Westside Gunn’s “Gods Don’t Bleed.” It was clearly a stunt for attention, but it also showed how ridiculous it is to see a cheerful TikTok dance set to intricate drug raps. The whole thing was about as odd as seeing Playboi Carti debuting his next video on Facebook and expecting not to get assailed by boomers. There was a time when every artist fought for attention on MySpace (and then on Facebook and Twitter) but there’s now a wide variety of social media platforms boasting communities with disparate rap tastes.Twitter is one of the most progressive social platforms, which means artists who make stupid comments or are accused of abuse are most susceptible to facing backlash. Artists from marginalized communities tend to receive more love than they do on almost any other online platform. That’s not to say that they’re universally supported, though, as the incessant debates about women in rap indicates.TikTok, more than any other social media platform, has managed to affect the creative process. Artists looking to go platinum know it’s a good idea to make a dance song or lace their single with lines designed to be acted out on the app. The challenge is the new street team, which allows TikTokers to add digital addendums to their favorite music in creative ways, creating a one-of-a-kind interactive dynamic with artists. ... Rap’s best platform for: Finding a young, genre-bending artist and interacting with the DIY communityTwitter is the home base of online rap discussion. Perhaps it’s the sheer size of “Rap Twitter,” which is full of rap media, rap stan accounts, and artists conversing about music. The text-predicated format makes it a prime venue for discussion, but the limited character count encourages the spiciest take possible—nuance be damned.
Hip-hop has long been a refuge for artists pushing social change. ... Compton, California, rapper Day Sulan, who was arrested last month during a police brutality protest, said that even when the debate on racism in America is no longer in the national spotlight, it will always be at the center ...
Hip-hop has long been a refuge for artists pushing social change. ... Compton, California, rapper Day Sulan, who was arrested last month during a police brutality protest, said that even when the debate on racism in America is no longer in the national spotlight, it will always be at the center of hip-hop.For decades, the Bronx native and standing member of Boogie Down Productions, has used his voice to educate -- eloquently rhyming about social ills like police brutality, poverty, lack of education and racism. "When I came out with my music at that time there was a major crack cocaine epidemic in New York," the Bronx rapper told CNN in 2015.The life of iconic rapper Tupac Shakur can be described as a lesson in politics, justice and Black activism. Seen as both a hero and a villain, Tupac was one of hip-hop's most powerful and outspoken voices for social justice and radical change.The song was blasted by protesters and was chosen by the Philadelphia Eagles as their anthem during Super Bowl Lll to show solidarity with the rapper. Lauryn Hill, "Black Rage" (2012, re-released in 2014) "Black rage is founded on blatant denial/ Squeezing economics, subsistence survival/ Deafening silence and social control/ Black rage is founded on wounds in the soul."
Since its inception, rap music has contributed to the soundtrack of movements for social change.
As one of America’s greatest creations, hip-hop bequeathed to the world a new way of life against the existential reality of social oppression in New York City. ... Of all the elements of hip-hop, MCing is the vocalization of the culture. Essentially, rap music would play a critical role in giving voice to the pain that Black people in inner cities and other locales were experiencing across the nation.The hip-hop landscape began to shift dramatically with the vivid social commentary of Grandmaster Flash and the Furious's “The Message” in 1982. The song was written as a response to the New York Transit strike in 1980 and instead of deploying their usual Modus Operandi of party raps, the legendary crew spoke to the plight of Black people and the suffering they endured in an era of Reagaonimcs.Dre, MC Ren, Young MC, Digital Underground, MC Hammer, and Eazy-E all contributing to the song further proved the viability of rap music to highlight communal concerns. A few years later, in 1992, when the police officers who savagely beat Rodney King were acquitted, the L.A. Uprisings took place for several weeks. Songs like Ice Cube’s “We Had To Tear This Mothaf*cka Up,” Ice-T’s “Cop Killer,” and Dr. Dre’s “The Day The N*ggaz Took Over,” were ground zero for all that was happening on the streets of L.A. ... In recent social movements that involved the issues raised by Black people, rap music has been the soundtrack to that activism in the streets.As long as there is suffering among Black people, there will always be a remnant of rappers who will offer their insights into their music as musicians and with their lives as activists to bring about social change.
Hip-hop has taken its lumps, but like any great fighter, it takes its punishment and keeps stepping forward. The latest round brings Bill Cosby and Alvin Poussaint into the ring, brandishing their book, “Come On People: On the Path From Victims to Victors.” The book argues that blacks should ...
It’s unsettling, however, that Cosby and Poussaint suggest rap music “promotes the moral breakdown of the family.” · Displaying a lack of understanding of both the music and the complexity of social problems, the authors jab by stating without proof that hip-hop “deliberately influences women to become pregnant before they have finished their education and influences men to shuck their responsibilities when this happens.”Such social problems are complex. Yet certain critics find it easier to lash out at a 23-year-old rapper wearing bling and a video showing bathing suit-clad beauties than to take on public officials who continually underfund public education.Rap, however, makes too easy a target. And writers such as Cosby, Poussaint and Whitlock confound the true sources of the social problems they lament.Hip-hop has taken its lumps, but like any great fighter, it takes its punishment and keeps stepping forward. The latest round brings Bill Cosby and Alvin Poussaint into the ring, brandishing their book, “Come On People: On the Path From Victims to Victors.” The book argues that blacks should reclaim their communities by placing family, […]
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17 votes, 53 comments. Old white guy here. Big fan of older rap that had some social commentary to it - Grandmaster Flash, Sugarhill Gang, Public…
A place to share '90s rap and hip-hop music. ... r/FellowKids is back open for business! Share those memes, social posts, ads, and anything else that just screams "a boardroom of 60 year olds thinks they know what the youths want to hear."Old white guy here. Big fan of older rap that had some social commentary to it - Grandmaster Flash, Sugarhill Gang, Public Enemy, NWA, some Eminem.For the modern women rappers who rap about social issues, check out Little Simz.Posted by u/GStewartcwhite - 17 votes and 53 comments
Rap is a genre of music in the contemporary times that has earned a quite big name for itself and rightly so.There is no denying this fact that rap music...
Rap artist from Kashmir who writes about the social issues prevalent in the society and has earned quite a name by writing meaningful content in Hip Hop and thereby preserving the true essence of Hip Hop.Rap is a genre of music in the contemporary times that has earned a quite big name for itself and rightly so.There is no denying this fact that rap music has emerged as a sure shot winner in engaging the young audience around the globe.Coming from the place i come from i.e Kashmir,Rap has played an immense role in giving a voice to the people who otherwise feel lost somewhere because of the conflict around the region and the relative effects of it.What is there to understand in all this is the fact that if Rap music has such a strong presence and influence on the minds of the youth then isn’t it the responsibility of popular Hip Hop artists to write on such themes which are reality based and which can leave a positive and an inspiring touch on the listeners mind.
Conscious rap’s is complex, with deep roots that grow from within the broader hip-hop world. Here’s a look at the artistes and themes defining the genre.
The album personifies the updated ... on social struggles ("Long Run", "Amphetamine"), but thriving in celebration and youthful pleasure on tracks like "Netflix and Dusse" and his breakout ode to black women, "Anita." The harmonious nature and textures of blkswn are far beyond what a novice rapper would be able ...
The album personifies the updated culture of the city, touching on social struggles ("Long Run", "Amphetamine"), but thriving in celebration and youthful pleasure on tracks like "Netflix and Dusse" and his breakout ode to black women, "Anita." The harmonious nature and textures of blkswn are far beyond what a novice rapper would be able to pull off; a testament to his church background and musical lineage.Many of the year's best challenged America's record on race, critiqued widespread cultural erasure, or broke conventions of genre, gender and identity within the space of rap itself.It's impossible to overstate how golden hip-hop shone in 2017 — the shattered Billboard records, the most-streamed genre recognition from Nielsen. Industry hype aside, rap reflected our collective conscience, and national crisis, like never before.Quelle Chris is no shrinking violet; in fact, the stereotype of indie-backpackers-as-schoolmarms hasn't held true since the Dillatroit/Madvillain/Okayplayer wave of the mid-aughts. He calls rival rappers "clones" on "The Prestige" (which also boasts an incredible soliloquy from Jean Grae).
Political hip hop (also known as political rap and conscious hip-hop) is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey ...
Political hip hop (also known as political rap and conscious hip-hop) is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey specific political viewpoints.Notable early political hip hop artists include KRS-One and Boogie Down Productions, as well as Public Enemy, both of whom were influential in establishing political rap in the late 1980s with albums that addressed social and political concerns.Conscious hip-hop (also known as socially conscious hip-hop or conscious rap) is a subgenre of hip hop that challenges the dominant cultural, social, political, sociopolitical, philosophical, and economic consensus, and/or comments on or focuses on social issues and conflicts.The term "nation-conscious rap" has been used to more specifically describe conscious hip hop music with certain strong political messages and themes, especially Black empowerment themes. Some themes of conscious hip hop include social conscience, Afrocentricity, religion, culture, the economy, depictions of the struggles of ordinary people, and aversion to or commentary on crime and violence.Songs expressing the theme of black pride include James Brown's "Say it Loud (I'm Black and Proud)" (1969) and Billy Paul's "Am I Black Enough for You?" (1972). The proto-rap of Gil Scott-Heron is an early influence on political and conscious rap, however, most of his earlier socially conscious and political albums fall within the jazz, soul, and funk genres.
This study draws on data from semi-structured interviews, classroom observations, and recorded rap performances to demonstrate how hip hop pedagogy creates an educational space for counter-narratives in social studies education, while providing access to the healing power of Black art.
During a time when people are banning curricula that provide critical understandings of race, teachers will need to counteract the white nationalism prevalent in social studies classrooms. This study draws on data from semi-structured interviews, classroom observations, and recorded rap performances to demonstrate how hip hop pedagogy creates an educational space for counter-narratives in social studies education, while providing access to the healing power of Black art.The Social Studies, 114(5), 241–249. ... Dunn, D., & Love, B. L. (2020). Antiracist language arts pedagogy is incomplete without Black joy. Research in Teaching English, 55(2), 190–192. ... Emdin, C. (2021). Ratchetdemic: Reimagining Academic Success. Beacon Press. Evans, J. M. (2025). Hip-hop civics: Connected learning in the rap classroom.The Urban Review - During a time when people are banning curricula that provide critical understandings of race, teachers will need to counteract the white nationalism prevalent in social studies...Abe, D. (2009). Hip-hop and the academic canon. Education, Citizenship and Social Justice, 4(3), 263–272.